
So I tried adding some colour to the text to help subdue the London Calling association.

I also played around with one of the many covers from this format. I keep thinking about the religion connotations attached to this project, so I decided to make it really obvious. The typeface Trajan seemed to be beckoning me to use it, since esthetically it seemed suitable.

I'm working on another format, which is our giant 'ticket' shape. I really dig this as a cover. I keep using the colour opaque boxes because they embody the hazy glow of stage lights that is a key element of the whole gig experience.

I thought it might be really nice to have an embossed cover with a little cut out in the shape of a cross. I did a wonderfully crappy mock up.


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